Modern camera formats have moved on in leaps and bounds over recent years, but they still require some pretty hefty processing to work with them in post. That’s where transcoding comes in…
You get the benefit of reduced files sizes and more efficient playback for your offline edit, safe in the knowledge that your original raw files are stored securely either with us or on your own backup drive (or both!)
We use a faster-than-real-time Resolve system to process your camera raw files, getting you into the editorial stage in no time.
We can transcode all native camera formats including R3D, ARRIRAW, Sony F65 Raw, XAVC and CinemaDNG.
The looks that you create on set will be carried through to the offline edit.
When your offline edit is finished we conform back to the raw files for finishing in the native format.
We can output Digital Cinema Packages (DCP) which conform to DCI specifications.
As part of our transcoding service, we can also sync your dual system sound.